- #MIXING LIVE SOUND FOR LOOPING FULL#
- #MIXING LIVE SOUND FOR LOOPING SOFTWARE#
- #MIXING LIVE SOUND FOR LOOPING PLUS#
- #MIXING LIVE SOUND FOR LOOPING PROFESSIONAL#
#MIXING LIVE SOUND FOR LOOPING FULL#
The old-fashioned and most trusted way of mixing out of a track with a short outro, and/or intro a short intro! Make the outro yourself by: Here are four different ways you can seamlessly mix between tracks that lack that typical 32-bar intro and outro. So, rid yourself of those club concerns and play those fresh tracks you’ve been scared to. But within dance music, the standards are being challenged – and even within genres like house and trap (which typically have some form of intro for DJs). That’s why record clubs have made DJ Intro edits for these genres for decades. It’s not uncommon for tracks to have short intros and outros – this has been the case in other genres (like hip-hop) for years, and for DJs who play more commercial tracks in the realms of pop music the situation is similar. Not every producer is making music with DJ sets in mind. In today’s article, guest contributor Aden Russel shares four common DJ mixing techniques that can be used to tackle these more challenging tracks.
Bon Jovi I was further back and it was even worse.When you’re playing a set and selecting from tunes that aren’t designed with DJs in mind, mixing can be challenging. Was in the same spot for Metallica, absolute mess sonically. In Munich Olympiastadion, Ed was the best sounding concert I’ve heard there. Pretty cool that the most amount of pa put in Wembley ever was a solo act with a scrabby acoustic guitar, haha. After making this post, I remembered that it exists, I linked it in the edited post above. There’s this beautiful documentary about the sound and light setup in Munich that I found a while ago. Soo, since then I give them one mono loop station output. They’d turn up my backing vox loop like it was a lead vocal, I would reach down to my rc300 to turn it down again mid song, they’d turn it up again, I’d turn them down again, repeat. I thought it would be kinda like mixing a band for them, but I realized that I can’t expect them to mix my arrangements without knowing them by heart.
#MIXING LIVE SOUND FOR LOOPING PLUS#
Plus main vox directly into the board).īut I played two gigs that way with different house engineers, and it was a disaster. I worked out a way to have 4 separate outputs (1 beat loop, 2 guitar&keyboard loop, 3 backing vocal loops, 4 live guitar&keys. Yes, I studied his ableton loop setup a while ago :) Maybe a better example than the one above, with 11 overdubs (time-marked link): įor anyone interested, I'm sharing what I foundįor the stadiums they're using 9 flown 1100-LFC subs per side and on the ground 12 subs per side in an end-fire left and right sub configuration (without center sub arrays) Not sure how they do it without the low end building up at club volume, let alone stadium volume.) (Then it'd be 10 times the bleed compared to a normal live mic that's not looped. There's usually at least 4 overdubs for backing vocals, more typically something around 10. I don't know if it's obvious, but when looping multiple vocal overdubs the bleed gets overdubbed each time too. My question is, how is he able to loop his vocals without having overwhelming bleed in the loop mic, especially from the subwoofers? At much less than stadium volume that is. I’m playing my own songs live with a loopstation in a similar way and I get bleed that makes looping vocals problematic. I’ve seen him live in a stadium, and the bass was massive, you could really feel it. r/broadcastengineering - Broadcast Engineering.r/projection_mapping - Projection Mapping.
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#MIXING LIVE SOUND FOR LOOPING SOFTWARE#
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#MIXING LIVE SOUND FOR LOOPING PROFESSIONAL#
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